Levels in Mastering for the Various Streaming Platforms (and what happened to the K-system of metering)

Sage Audio and Mastering the Mix both wrote great articles on the levels required for the various streaming platforms so I thought I would share these as this is a common concern for music producers. I’ll also tell you how I am rationalizing my mastering.

First, the link to this great article by Sage Audio: https://www.sageaudio.com/blog/mastering/mastering-for-streaming-platform-loudness-and-normalization-explained.php.

Mastering the Mix has an equally excellent one here: https://www.masteringthemix.com/blogs/learn/76296773-mastering-audio-for-soundcloud-itunes-spotify-and-youtube

(I also don’t use the K-scale or K-system any more thanks to the inventor of it, Bob Katz himself. Scroll to the bottom to see why.)

Updated: 29-June-2022

Here is how I am currently mastering my music:

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Creating an OTT-like Preset Using Pro-MB

Last updated: 3-December-2021

I had the goal of creating a great multi-band compression/expansion scheme using Pro-MB. Fortunately for me, Xfer Records gives away a free plugin effect called OTT that is a three-band compressor. It performs upward and downward compression and is a recreation of the Ableton Live OTT setting  (Over the Top) in their compressor.

I like it because it gives a bright and vibrant sound quality to any track it is applied. Also, it is free.

But, I wanted more control like I can get from Fabfilter’s Pro-MB multi-band compressor. So, I set out to replicate it (kind-of). While not the same as OTT, I found it quite easy to get the sound I was after once you know what the OTT is doing:

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